Devaksha & Danike SAID THAT

Copywriter Devaksha Vallabhjee and art director Danike de Jager have spent almost a decade moving through the industry side by side, from Ogilvy to AndPeople, King James (now Accenture), Saatchi & Saatchi, Duke and now FCB. We caught up with the long-time creative partners to talk about how ideas get made, what they're looking for in director treatments, the South African work they wish they'd done, and why protecting a great idea is often the hardest part of the job.

2026-06-09T14:13:54+02:00June 9th, 2026|Categories: Editorial, FCB Editorial|Tags: , , |

Name someone accused of rape in South Africa, and you could face up to three years in jail

Under an absurd apartheid-era law, that keeps rapists anonymous and silences rape victims, women who publicly name their rapists can be prosecuted before a case has even gone to trial. We had to read that twice. We take a look at the new campaign called ‘NXME HIM’, whose sole objective is to get the Minister of Justice, Mmamoloko Kubayi’s, attention and force this long-ignored law into the spotlight.

Priest Post Production enters a new chapter under Michelle and Cris Duvenage

From 1 April 2026, long-time producer Michelle Duvenage and DIT specialist Cris Duvenage will take ownership of well known Cape Town post company Priest, continuing the studio’s legacy while evolving its offering for a changing production landscape.

Post house The Syndicate takes big steps with new space, growing team and top producer

Over the past year, The Syndicate has evolved from a solo-led edit suite into a fully-fledged post-production house with serious weight behind it. Now operating from a new space in Joburg on 4th Avenue in Parkhurst, with Gugu Radebe on board as producer and three additional editors on the roster, and a newly launched website, the company can confidently take on full post from offline through to grade, online, animation and sound. For a team that’s been heads-down building, that’s quite a lot to drop on the industry in one go.

The world needed soul saving. Director Lourens van Rensburg, Joe Public and Chicken Licken had a plan

The world is in need of soul. That was the starting point for Chicken Licken’s ‘#SoulFood2TheWorld’ campaign, which began with the slightly audacious suggestion that global soul levels are running dangerously low, and that South Africa might be uniquely qualified to intervene. If Soul Food® is what the brand sells, then why not export it? Why not flip the usual narrative and position Mzansi not as the recipient of aid, but as the provider? High time, we say! So, we got some of the creators of the campaign from Joe Public and 7Films in a room to find out how they made this work happen.

2026-03-09T13:35:31+02:00March 9th, 2026|Categories: 7Films Editorial, Editorial|Tags: , , , |

Incommon’s director Retang Sebeka cleans up with character-driven Handy Andy for Machine_

Incommon’s latest campaign for Handy Andy sees director Retang Sebeka take everyday household mess and push it into slightly absurd territory, turning chaos into a string of funny moments driven by nuanced comedic performances where the characters are given room to breathe. Retang’s playful, slightly offbeat tone is something we’ve spoken about before, and with this campaign, he’s now stepping confidently into performance-led storytelling.

2026-03-06T11:19:53+02:00March 6th, 2026|Categories: Editorial, Incommon Productions|Tags: , |

Five years at number one, why Marc Algranti still leads the music conversation

For five consecutive years, Loeries has ranked Marc Algranti as South Africa’s number one music supervisor. Five years people! In an industry that forgets quickly and moves on even faster, that kind of consistency doesn’t happen by accident. Instead, it happens because someone cares, deeply, about music, detail, relationship and getting it right.

2026-02-20T07:40:13+02:00February 20th, 2026|Categories: Editorial, Marc Algranti Editorial|Tags: , |

LittleBig director Rob Smith on big storytelling with restraint for ‘Safely Home’ campaign

Last year, more than 700 mothers in the Western Cape lost a child to road-related incidents. ‘Safely Home’, the campaign directed by LittleBig’s Rob Smith for Ogilvy Cape Town and the Western Cape Government, approaches that reality with restraint and care. While comedy may be Rob’s most visible calling card, this work shows his ability to handle big, emotionally complex stories with a measured, thoughtful approach.

2026-02-16T21:19:09+02:00February 16th, 2026|Categories: Editorial, LittleBig Editorial|Tags: , |

Director Mark Strydom brings the lessons of Africa home to Robot

Just in time for Valentine’s Day, director Mark Strydom is making things official with Robot, joining the team for local representation and bringing experience shaped across Africa and international markets back home. For the past few years, Mark has deliberately been directing outside South Africa, leaning into work across Nigeria, Kenya, Mozambique, Ghana, India, the Middle East, and parts of Europe. Different pressures, different cultural nuances, but across every market one principle stayed the same for him, “If the work doesn’t feel real to the people watching it, it doesn’t land.”

2026-02-13T12:51:08+02:00February 13th, 2026|Categories: Editorial, Robot Editorial|Tags: , , |

Markus Wormstorm and Biblo.tv, a direct line to Africa’s musical underground

Composer and music supervisor Markus Wormstorm launched Biblo in 2012 to solve a familiar industry frustration. Directors and editors were stuck choosing between generic library music or culturally relevant tracks that couldn’t be licensed. Biblo emerged as a third option - access to contemporary African sound, built to move seamlessly from offline edit to final delivery.

2026-01-30T08:39:41+02:00January 29th, 2026|Categories: Biblo.tv Editorial, Editorial|Tags: , |

Q&A with Giant Films director Paul Ward on process, story and creative restraint in branded storytelling

In this Q&A, Giant Films’ director Paul Ward unpacks his process, his approach to storytelling, and how to navigate brand involvement without letting it overpower the human story. In a one-on-one conversation, we dig into the making of ‘The Philipstown WireCar Grand Prix’, a deeply moving, beautifully considered film that stays grounded while still feeling ambitious in scale and imagination.

2026-01-28T11:37:57+02:00January 28th, 2026|Categories: Editorial, Giant Films Editorial|Tags: , |

Mushroom Media making moves as top colourist Kyle Stroebel joins the team.

New offices, new faces, and now a big-name new addition to the team. Colourist Kyle Stroebel has taken up residency at Mushroom Media Cape Town, adding serious weight to their talent offering and giving Cape Town a new reason to be on everyone’s shortlist for both commercial and long-form work.

2026-01-23T08:18:49+02:00January 23rd, 2026|Categories: Editorial, Mushroom Media Editorial|Tags: , , |

Darling Fling. A year of sparks, chemistry & unexpected love affairs.

They’re here for the spark, the wild idea, the impossible challenge, the moment a project makes your pulse skip. And in just one year, the industry has figured it out: if you’re going to flirt with something unexpected, you call Fling. Fresh from a Loeries haul that includes one Gold, two Silvers, three Bronzes and a Craft Certificate and armed with a cheeky new, unmistakably Fling website, Darling Fling is officially impossible to miss.