Less than two years in, Bananas is working with Castle Lager, KFC, Heinz and now Truworths. We spoke to the OG Bananas, Saf Sindhi and Justin Gomes about why some very established brands are putting their trust in a very new kind of agency.
Woolworths, in partnership with Big Sky Productions and The Video Cartel, takes us inside the month-long Italian shoot that grew into six half-hour films for M-Net.
In this one, Nkgabiseng Motau gets into what ten years of running Think Creative Africa has taught her, why courage is often the thing separating Bronze from Gold, the South African work she wishes she’d made, the person who opened an important door early in her career and why our industry could probably do with trusting its own culture a little more. She’s one of our faves and after reading this, we think she’ll be one of yours too.
We sat down with Thembalethu Msibi, Co-Founder and Chief Creative Officer of BlackSwan and Jury President of the 2026 iPendoring Awards, to talk about why South African advertising still treats indigenous language work as an afterthought, and what it will take to change that.
Koketso Masisi has strong views on what makes an idea worth fighting for, as she should, she’s ECD of Retroviral after all. We talk craft, choosing directors, the marketers who make the work better and the South African ad she wishes she’d made. She also gives us the work she’s proudest of, who deserves a shoutout right now, and what’s exciting her about our industry.
Girls in Film South Africa and Blackboard are continuing their commitment to creating greater access to the creative industries through a masterclass programme that brought young creatives into conversation with working filmmakers and industry practitioner
HELLO_COLAB has landed Brutal Fruit’s new Africa-wide ‘Pink Table’ campaign, producing a TV commercial, more than 300 images, 24 dedicated social videos, traditional billboards, a 3D billboard and multiple edits for just about every screen you can think of.
Chances are, you have already heard of Coinbase’s ‘Your Way Out’ ad. It won the Cannes Lions Film Craft Grand Prix, collected five more Lions and has since landed a Primetime Emmy nomination. What you may not have heard is just how much of it was made by South Africans. We go behind the scenes with service company, Gatehouse.
Castle Lite has taken ‘Nothing hits like Extra Cold’ very literally, making it snow across Nigeria, Tanzania and Mozambique in its latest campaign. Created by Boundless and directed by Darling Films’ Chloe Coetsee, ‘Nothing hits like Extra Cold’ turns that first icy sip into a full-blown bar snowstorm.
We caught up with Bioscope director Fausto Becatti and Executive Producer Daniel Kaplan to go behind the scenes of their new ad featuring the Springboks, the one that had us asking, "Woah, is that a Pick n Pay ad?"
As we gear up for Full Circle, we asked Cannes Lions 2026 Audio & Radio juror Jabulani Sigege to share a few reflections from inside the jury room. From what separated the winning work to why South African creativity is uniquely positioned on the global stage, here are three lessons he brought home from Cannes.
Robyn Campbell has spent her career doing the things most people never see. She started in fashion design, moved through the early days of digital, led agencies, and now serves as Senior Vice President at Publicis Groupe Africa. She’s become an expert in the invisible work behind great creativity: building teams, shaping culture, backing people and protecting ideas long enough for them to become exceptional. In this conversation, Robyn shares how her definition of creative taste has evolved, why the hardest leadership happens behind the scenes, what separates good work from great work in a jury room, and the one thing about South African creativity she hopes we never lose.
To celebrate Corona’s belief that life is best lived beyond our screens, Boundless created a series of living posters that turned the setting sun into the brand itself. Captured at the exact moment the sun kissed the horizon over the city, long winter shadows stretched across the streets to create the silhouette of a Corona bottle, leading you to the sunset.
The Creative Circle Full Circle 2026, in partnership with Ster-Kinekor, hosts a selection of jury members, as they take the audience inside the jury rooms, through an inspiring showcase of the top trends, insights and award-winning work from Cannes Lions International Festival of Creativity.
Director Jason Fialkov has rejoined Carbon Films after several years working independently. The move reunites him with the team behind some of his most recognised work. And while there were plenty of practical reasons for returning, Jason sums it up by saying, "I miss the family."
Spitfire’s Director AK recently used the new VRtuosus studio in Hyde Park on a shoot for Profmed featuring Springbok prop Ox Nche, becoming one of the first South African commercial directors to put VRtuosus through the real test.
Grid Worldwide is independent again and it thinks the timing couldn't be better. After 16 years as part of TBWA\SA, Grid Worldwide has completed a management buyout, officially returning to full independence from 1 June.
Robot director Ayanda Duma has a habit of finding the version of a story you didn't know was there. Her latest work for Meow Meow Woof and Mukuru blends genres, humour and beautifully observed human moments into a film that feels unmistakably like Ayanda.
In this conversation, Zanele Kabane, M&C Saatchi Abel Associate Creative Director, shares what she looks for in directors, why trust between agencies and marketers changes everything, the ads she wishes she'd written, her complicated relationship with AI, and the unexpected hobby that's teaching her a surprising amount about creativity. Don't miss her shout-out to some of her favourite creatives doing work in our industry right now.
Castle Lager’s new campaign is a tribute to the supporters who stood by Bafana Bafana through three decades of triumph, heartbreak and hope. Created by Bananas and Retroviral and directed by Paul Ward from Giant Films, the recreation is so authentic that many viewers have mistaken it for archive footage. Here's how the team brought three decades of Bafana Bafana fandom back to life.