We caught up with Bioscope director Fausto Becatti and Executive Producer Daniel Kaplan to go behind the scenes of their new ad featuring the Springboks, the one that had us asking, "Woah, is that a Pick n Pay ad?"
As we gear up for Full Circle, we asked Cannes Lions 2026 Audio & Radio juror Jabulani Sigege to share a few reflections from inside the jury room. From what separated the winning work to why South African creativity is uniquely positioned on the global stage, here are three lessons he brought home from Cannes.
Robyn Campbell has spent her career doing the things most people never see. She started in fashion design, moved through the early days of digital, led agencies, and now serves as Senior Vice President at Publicis Groupe Africa. She’s become an expert in the invisible work behind great creativity: building teams, shaping culture, backing people and protecting ideas long enough for them to become exceptional. In this conversation, Robyn shares how her definition of creative taste has evolved, why the hardest leadership happens behind the scenes, what separates good work from great work in a jury room, and the one thing about South African creativity she hopes we never lose.
To celebrate Corona’s belief that life is best lived beyond our screens, Boundless created a series of living posters that turned the setting sun into the brand itself. Captured at the exact moment the sun kissed the horizon over the city, long winter shadows stretched across the streets to create the silhouette of a Corona bottle, leading you to the sunset.
The Creative Circle Full Circle 2026, in partnership with Ster-Kinekor, hosts a selection of jury members, as they take the audience inside the jury rooms, through an inspiring showcase of the top trends, insights and award-winning work from Cannes Lions International Festival of Creativity.
Director Jason Fialkov has rejoined Carbon Films after several years working independently. The move reunites him with the team behind some of his most recognised work. And while there were plenty of practical reasons for returning, Jason sums it up by saying, "I miss the family."
Spitfire’s Director AK recently used the new VRtuosus studio in Hyde Park on a shoot for Profmed featuring Springbok prop Ox Nche, becoming one of the first South African commercial directors to put VRtuosus through the real test.
Grid Worldwide is independent again and it thinks the timing couldn't be better. After 16 years as part of TBWA\SA, Grid Worldwide has completed a management buyout, officially returning to full independence from 1 June.
Robot director Ayanda Duma has a habit of finding the version of a story you didn't know was there. Her latest work for Meow Meow Woof and Mukuru blends genres, humour and beautifully observed human moments into a film that feels unmistakably like Ayanda.
In this conversation, Zanele Kabane, M&C Saatchi Abel Associate Creative Director, shares what she looks for in directors, why trust between agencies and marketers changes everything, the ads she wishes she'd written, her complicated relationship with AI, and the unexpected hobby that's teaching her a surprising amount about creativity. Don't miss her shout-out to some of her favourite creatives doing work in our industry right now.
Castle Lager’s new campaign is a tribute to the supporters who stood by Bafana Bafana through three decades of triumph, heartbreak and hope. Created by Bananas and Retroviral and directed by Paul Ward from Giant Films, the recreation is so authentic that many viewers have mistaken it for archive footage. Here's how the team brought three decades of Bafana Bafana fandom back to life.
Copywriter Devaksha Vallabhjee and art director Danike de Jager have spent almost a decade moving through the industry side by side, from Ogilvy to AndPeople, King James (now Accenture), Saatchi & Saatchi, Duke and now FCB. We caught up with the long-time creative partners to talk about how ideas get made, what they're looking for in director treatments, the South African work they wish they'd done, and why protecting a great idea is often the hardest part of the job.
Under an absurd apartheid-era law, that keeps rapists anonymous and silences rape victims, women who publicly name their rapists can be prosecuted before a case has even gone to trial. We had to read that twice. We take a look at the new campaign called ‘NXME HIM’, whose sole objective is to get the Minister of Justice, Mmamoloko Kubayi’s, attention and force this long-ignored law into the spotlight.
We caught up with, Chantelle Dos Santos, the new Creative Director at Bananas to chat about choosing directors, the marketer relationships that elevate the work, the campaign she wishes she’d made, and why overthinking can quietly kill a great idea.
Top South African editor Xander Vander has launched GOOD EDIT, a boutique offline editing house built around a simple idea: Let's focus on the edit.
Eyeforce director Raphadu Maphoto flew the South African flag high in Paris, taking home recognition at the Le Book Emerging Talent Awards and becoming the first South African to do so.
How do you make people care about messaging that actually matters? Meet Bohemian, the Joburg studio helping brands and NGOs turn purpose-led campaigns into work people care about.
Fran Luckin, one of South Africa’s most celebrated creative leaders joins Roanna Williams to help Boundless continue its completely madly ambitious and deeply committed pursuit of the world’s most loved ideas.
From 1 April 2026, long-time producer Michelle Duvenage and DIT specialist Cris Duvenage will take ownership of well known Cape Town post company Priest, continuing the studio’s legacy while evolving its offering for a changing production landscape.
Big Cannes Lions news: One of the most sought-after Cannes programmes ‘See It Be It’ just dropped its 2026 cohort, and a South African name made the cut. Congrats Liesl Lategan-Kyriakou, founder and executive producer at Spitfire Films.