Joe Public proudly took to the stage at the 46th annual Loerie Awards in Cape Town as Agency of the Year. Joe Public Cape Town, Durban, Johannesburg, and their clients bagged 35 of the sought-after birds, including five wins with production partners Romance Films, Darling Films and Post Modern.
Ogilvy enjoyed wins on both nights of the Loeries this year, with 19 Loeries in total for clients including Volkswagen SA, KFC, The City of Cape Town, Carling Black Label and Doom. Work was celebrated across a wide number of categories including; Direct, Film, Integrated, Radio, Activations and various industry craft categories.
During Loeries Creative Week, Open Chair, in partnership with Nedbank, hosted a speed dating afternoon with a difference. Aptly called, “Friends in High Places,” it was held at The Cape Wheel at the Waterfront. 65 mentees had face time with 31 mentors from across the industry. The pods on the wheel served as an ideal safe space for these women to share their stories and receive guidance.
This year, South Africa’s NETO+SHOOKAN, in collaboration with VML SA helped win 8 Cannes Lions for a global Coca-Cola campaign. We spoke with Executive Producer Paresh Shookan and photographer Kgomotso ‘Neto’ Tleane, who crafted the South African contribution.
Operating on a lean model with minimal overheads, Usual Suspects Films offers agencies and clients big value at highly competitive rates. Since its founding in 2017, the post-production house has been delivering top services across commercials, feature films, and doccies, as well as long-form on platforms like Amazon, Netflix, and Showmax. They offer everything from offline and online editing to colour grading, whatever the project needs.
Clean Creatives is stepping up efforts to hold the SA ad industry accountable for its ties to the fossil fuel industry. Their 2024 SA F-List report has been published and exposes 42 contracts between local agencies and fossil fuel companies like Engen and BP.
Giant Films’ Karien Cherry delivers her latest spot for Volkswagen in collaboration with Ogilvy South Africa and the visual effects maestros at Chocolate Tribe and well, hello there CRAFT! Proven to be one of our country’s top conceptual and performance directors, this ad further cements Karien’s reputation by showcasing her exceptional visual craft.
This month’s IDIDTHAT.co Craft Awards brought together two powerhouse judges: Neema Nouse, Integrated Creative Director at The Odd Number, and Dani Hynes, Director and Founder of Love Films. And they both agreed – Best of Craft this month goes to Karien Cherry from Giant Films.
And this for the spitfire intro: With over 24 years of directing 360+ commercials across 32 countries, Spitfire’s Co-Founder AK is one of South Africa’s most experienced directors. Beyond the awards and on-set adventures, his journey is also about family, personal growth, and a deep love of film.
Former Pulse Films director Alex Motlhabane returns to South Africa after a successful UK career working with brands like Pepsi and Amazon, and directing music videos for slowthai and A$AP Rocky. He now brings his expertise to Robot Films.
Lazola Gola’s latest Weetbix campaign is a perfect example of comedy having it's moment in advertising. Teaming up with M&C Saatchi Abel, Lazola brings his signature offbeat humor to the breakfast table, crafting a colorful, quirky, and memorable campaign.
Social impact campaigns are resource-intensive, requiring expertise to ensure lasting benefits. Here's why agencies partner with experts like Bloom & Stone.
Miss Women’s Day? At CreateSA.tv, every month is Women’s month, with a powerhouse team of women creatives driving their commitment to diversity and inclusion.
Giant Films, a name synonymous with nurturing top talent, has signed director Kyla Philander to their roster. As a company with a 30-year legacy of supporting and growing passionate filmmakers, Giant has always sought out directors who bring something unique to the table, and Kyla is no exception.
This month’s IDIDTHAT.co Craft Awards were judged by perfectly equal parts demure and brat, Nkgabiseng Motau, Chief Creative Officer at Think Creative Africa and Ernest Nkosi, Director at Mogul Pictures. Congrats to Justice Mukheli from Romance for taking home the top spot this month. Well done mister!
There are 8 days left until the third annual AVIJOZI Festival kicks off on September 14-15, 2024 at Summer Place in Hyde Park. This year’s festival spotlights Film, Animation, Visual Effects, AI, and Interactive Technology, including Gaming and VR. The exciting line-up, of over 60 global industry leaders, has just been released and includes talks from industry powerhouses like Greg Gray, who will share his expertise on directing for story and character, Ellen Poon, who has worked alongside legends like George Lucas and Christopher Nolan on projects like Star Wars and Avatar, and Hamid Ibrahim, one of the co-creators of the series IWAJU, Disney’s first collaborative animation project with another studio.
Back with another car ad and hot off the heels of their campaign for Standard Bank, there is no denying First Pencil is having a moment! The team’s latest commercial for Omoda and agency Clockwork Media, directed by Justine Calverley and EP’d by Lebo Mabuela, is a prime example of their ability to merge their technical chops with some laser-infused cinematic storytelling. The ad has beams cutting through the scenes like something straight out of a sci-fi movie (with an added nod to Back to the Future) and the impressive in-camera work leaves you wondering what’s real and what’s not.
18 years ago, Jacqui Pearson and Saki Bergh became the new owners of Left Post and set out to carve their own space in the post-production industry. With Jacqui Pearson’s background in broadcast and Saki Bergh’s expertise in editing, they transformed Left Post Production from a small start-up company into an award-winning post powerhouse. Their partnership is one for the history books, a partnership that has produced some of our country’s iconic work from the past two decades and played a huge part in shaping South Africa’s post industry.
Ayanda Duma represents a group of rising young directors in our industry who have their fingers on the pulse of culture, and creativity and come with an inclusive mindset and strong point of view. From challenging societal stigmas to creating authentic representations on screen, Ayanda is not afraid to make her mark in Adland and with the smart production chops of Robot, you know you’ve got the whole package.
Since Editor Nic Goodwin launched The Syndicate four years ago, the company has undergone an interesting evolution. Initially taking on a minimalist approach with a fully remote post-production process and a team of freelance talent, The Syndicate was one of the first post facilities of its kind in South Africa and a huge success for Nic. But it was time to take the next step forward and the post house has evolved to meet familiar client demands while sticking to its core ethos. Welcome to The Syndicate 2.0.
