
L to R: Fran Luckin (CCO, VML South Africa), Xolisa Dyeshana (CCO, Joe Public), Kabelo Moshapalo (CCO, Ogilvy), and Khensani Nobanda (Group Executive: Marketing & Corporate Affairs, Nedbank Group).
[PODCAST] Bigger, Better, Awarded: How to build case studies that actually win.
With Fran Luckin, Khensani Nobanda, Kabelo Moshapalo and Xolisa Dyeshana
When four South African respected jury presidents sit down together, you listen. Between them, they’ve presided over Cannes Lions, Loeries, Dubai Lynx, and the IAB Bookmark Awards – shaping what the world calls “award-winning work.” At this year’s IDIDTHAT HOUSE, inside the Nedbank Loft at Loeries Fringe 2025, this powerhouse panel brought together Fran Luckin (CCO, VML South Africa), Khensani Nobanda (Group Executive: Marketing & Corporate Affairs, Nedbank Group), Kabelo Moshapalo (CCO, Ogilvy), and Xolisa Dyeshana (CCO, Joe Public).
Moderated by Fran, “Bigger, Better, Awarded: Creating Case Studies That Win in the Jury Room” was a rare peek behind the curtain – revealing how great case studies are built, judged, and remembered. From the first briefing to the final case film, they unpacked what jurors actually look for, what weakens a submission instantly, and how marketers, agencies, and production teams can collaborate from day one to create work that not only moves audiences but wins globally.
But this session became more than a masterclass in crafting case studies, it became an industry movement: Jury Duty, an initiative from Nedbank and IDIDTHAT designed to prepare and empower South African jurors for global award stages.
“The ‘Bigger, Better, Awarded’ panel was a pivotal moment for us. It not only highlighted the importance of crafting compelling case studies but also sparked the inception of the South African Jury Duty initiative. This partnership between Nedbank and IDIDTHAT is a testament to our commitment to elevating the standards of our industry and making a global impact. The discussions and insights shared during the panel ignited the idea to create a platform that would prepare and empower South African awards judges for the international stage. We’re excited to see how this collaboration will shape the future of our industry and ensure that South African creativity is celebrated and acknowledged worldwide.”
– Khensani Nobanda, Group Executive: Marketing & Corporate Affairs, Nedbank Group
It’s an idea that’s been bubbling for months, with Pete Case (Ogilvy South Africa) and Julie Maunder (IDIDTHAT.co) already in discussion about how to make it a reality. Now, with Khensani’s backing, Jury Duty has real momentum and the potential to become a landmark programme that helps South Africa show up on the global stage.
Listen to the full podcast and watch the case studies play on the screen.
Check out the gallery
Photography by Alfonso Stoffels
The Anatomy of a Winning Case
“Your case study is a closing argument,” said Xolisa Dyeshana, kicking things off. “It’s your last chance to make the jury believe.”
From there, the panel laid out what makes an entry stand out:
- A clear, human problem – frame the opportunity sharply (Khensani).
- Emotional storytelling – the entertainment factor keeps juries engaged (Kabelo).
- Craft that equals the campaign – every edit matters (Fran).
- Collaboration from the start – capture your proof while producing the work.
“The best agencies and marketers budget for the case study upfront,” Fran added. “It’s not an afterthought, it’s part of the creative process.”
Proof Over Puff
Between the laughter came a few sharp reminders. No more:
- “And then the government changed its laws.”
- “It blew up.”
- “+400% growth.”
“Those are all red flags,” said Kabelo. “Show visible proof, news coverage, cultural pickup, or real behaviour change.”
Work That Resonates
The discussion turned emotional with Nedbank’s SignWriter, created with Joe Public – a campaign honouring students who lost their lives in the 1976 Soweto Uprising. “For South Africans, you don’t even need context,” said Xolisa. “But internationally, you have to build it in.”
Khensani shared how careful branding choices protected the work’s integrity. “We didn’t want to sell bank accounts on Youth Day. We used YouthX by Nedbank so the message lived in the right space.” The takeaway: make work for people first – the case study comes after.
The Last Word
Winning work isn’t luck. It’s the result of smart thinking, honest storytelling, and people who care deeply about doing great work together. And through conversations like this, and initiatives like Jury Duty, South Africa is building the systems to make sure they’re recognised, loudly and proudly, on the world stage.
Check out the other podcasts at IDIDTHAT HOUSE
[PODCAST] Bigger, Better, Awarded: How to build case studies that actually win. With Fran Luckin, Khensani Nobanda, Kabelo Moshapalo and Xolisa Dyeshana
When four South African respected jury presidents sit down together, you listen. Between them, they’ve presided over Cannes Lions, Loeries, Dubai Lynx, and the IAB Bookmark Awards - shaping what the world calls “award-winning work.” At this year’s IDIDTHAT HOUSE, inside the Nedbank Loft at Loeries Fringe 2025, this powerhouse panel brought together Fran Luckin (CCO, VML South Africa), Khensani Nobanda (Group Executive: Marketing & Corporate Affairs, Nedbank Group), Kabelo Moshapalo (CCO, Ogilvy), and Xolisa Dyeshana (CCO, Joe Public).
[PODCAST] Future Proof: what will a winning production company look like in the age of AI? With Jarred Cinman, Alexa Wilson, Stuart Stobbs, and Shane Jacobs
Budgets are shrinking. Deadlines are gasping for air. And AI? It’s not knocking on production’s door, it’s already moved in, rearranged the furniture, and started editing the showreel. At this year’s IDIDTHAT HOUSE (Loeries Fringe), inside the Nedbank Loft, we hosted Future Proof: a brutally honest panel asking the question everyone in production is quietly panicking about. What will it take for a South African production company to still exist, and thrive, in 2027?
[PODCAST] The Great Debate: To in-house or not to in-house production with Colin Howard, Kathi Jones, Peter Little and Monareng Makwetla
When agencies start building their own production arms (think Prodigious, Hogarth and beyond) it raises the question everyone in the industry’s been whispering: what happens to South Africa’s independent production companies? Are in-house models the sleek, efficient future of advertising… or are they quietly dismantling the craft that made our work world-class?
[PODCAST] Client Hot Seat: How marketers really assess creative, briefs and production partners with Bridget Harpur, Grant Macpherson, Tebogo Motsepe and Star Kachisa
Ever wondered what really happens when your script lands in a marketer’s inbox? What makes them sit up, what makes them stall, and what sends your big idea straight to the bin? At this year’s IDIDTHAT HOUSE, inside the Nedbank Loft at Loeries Fringe 2025, we flipped the script and put the marketers in the hot seat. Moderated and joined by Tebogo Motsepe (Executive Head: Marketing Strategy, Nedbank), the panel pulled zero punches as Grant Macpherson (CMO, KFC South Africa), Bridget Harpur (Head of Marketing, Volkswagen Group Africa), and Star Kachisa (Head of Marketing, Spotify Sub-Saharan Africa) revealed how ideas really get judged behind closed doors.
VIEW THE IDIDTHAT HOUSE GALLERY – LOERIES FRINGE
IDIDTHAT HOUSE 2025 Gallery, Loeries Fringe Day 2
(See all this pics) Day 2, 10 October, IDIDTHAT HOUSE was back in full swing. We kicked things off with brekkie rolls, Bloody Marys, and coffee strong enough to power another round of inspiring panel chats, with POPCO keeping everyone cool in between. Then came the IDIDTHAT HOUSE Party. An exclusive party for those who got the nod from our incredible production partners, and wow, did you show up. Massive love to everyone who joined us, laughed with us, and made it one for the books. We had the absolute best time with you.
IDIDTHAT HOUSE 2025 Gallery, Loeries Fringe Day 1
(See all the pics) Day 1 at IDIDTHAT HOUSE was everything we dreamed of, old friends, new faces, industry-shaping panel chats, and big laughs. This is why we love this industry. Thank you to all our Brand Partners, Production Partners and guests for making this Loeries Fringe such a success. See you next year!
Produced by the IDIDTHAT Content Studio – Credits: Anne Hirsch (Writer) / Julie Maunder
*This content may not be reproduced or used in any part without the prior written consent of IDIDTHAT. Reprints must credit I DID THAT.co (ididthat.co) as the original publisher of this editorial piece and include a link to this site.
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