There’s a lot that’s been happening at Carbon Films recently; 4 new directors, 1 new partner, a lot of sit-up-and-pay-attention work, a bunch of new awards and….a Bruno still Bossi 😊 We get the scoop and also put together some when-to-use-which-Carbon-director crib notes. Let's go!
We go behind the VFX scenes with Chocolate Tribe’s Rob van den Bragt and Tiaan Franken for a peek at how they tackled the astronomical task of creating a commercial for the most coveted advertising stage in the world, the Super Bowl.
In the last three years alone Director Jeana Theron from Darling Films has been awarded a Gold Cannes Lion and two Loeries Grands Prix. We know right, where are the headlines?! Jeana’s quiet demeanour has perhaps masked her razor-sharp edge and ability to make even the most gruesome storytelling beautiful. In our opinion, this proven versatile contemporary filmmaker has been flying way too low under the radar. So, you probably haven’t thought of Jeana like this, but you really should…
You might know him as the guy who shoots those unconventionally cool music videos or sexy sneaker spots, but with the announcement that Adriaan Louw has joined Robot, we caught up with a filmmaker evolving into a storyteller passionate about bringing his emotive documentary filmmaking mind and visual aesthetic to narrative-driven work.
Dove’s latest campaign pays other brands to diversify their ads. We spoke to 7Films about the Cirque du Soleil-like project management skills required to pull off a campaign that stretched over two years, four countries and one global pandemic.
We pick the brains of Chocolate Tribe’s Rob van Den Bragt and Tiaan Franken about the galactic quest of bringing ZeZorc, the friendly animated alien (and his ‘hangry’ alter-ego), to life in Chicken Licken’s recent ‘They Also Crave It’ commercial.
Anthony Bila has partnered with Indie Founder and Producer Dale Love-Ballantine to lead Indie Village. The two give us the lowdown on what makes the Village's in-house offering irresistible to anyone who needs to make their budget go further...so yeah, that's pretty much everyone!
Fresh from being nominated for an Oscar for ‘My Octopus Teacher’ we catch up with one of the leading full service post production facilities about what it was like working on the doccie. We also meet Refinery’s new leadership trio and get a preview of their new swanky studios. There’s a lot, so strap in!
Commissioned by well-known cultural platform NOWNESS and created by Romance Films, ‘The Dream That Refused Me’ is a visual poem that explores black identity through dance, digital filters, and collage artwork. We sat down with Director Jabu Nadia Newman to unpack this striking and surreal film.
Howard Audio’s very own Adam Howard has been named South Africa’s top music Composer and Supervisor by the Loeries. We caught up to congratulate the man of the hour and he shared some lekker behind the scenes moments from recent projects close to his heart.
Director Yoza Mnyanda and photographer Michelle Perkins recently became part of the Osu family and brought with them a refreshing wave of creative intelligence. Their agile, collaborative and daring approach within their respective disciplines, made them an obvious fit to the Osu way of working. Here's what you need to know.
They made it! Director Dani Hynes and Producers Mel Curtis and Dumisani Mvumvu celebrate their first year as Made. We catch up with the team to find out how the hell they did it…and there's even a bit about sea swimming piranhas.
‘Cake’ might be new, but the minds behind this film production and service company have been doing this forever. We talk to Co-Owners, Executive Producer Cat Lindsay and Director Nadezna Radcore, about why everyone should love Cake.
Ever wanted to know what goes into being one of the most awarded voice-over artists? We share some recorded snippets from our interview with vocal artist Adam Behr. Having performed in over one thousand commercials, working in 30 accents both locally and internationally, Adam blows our minds and ears with his wealth of knowledge and technique behind the mic.
DOLPH founders, Daniel McCauley and Jesse Coetsee are known as the ultimate crafters in post, design, editing and animation, creating a visually recognisable style that is both graphic and bold. Now with a growing portfolio of directing work, DOLPH has established itself as an independent end-to-end multi-disciplinary production company. We find out how the duo’s holistic approach to each project could be exactly what your script needs.
‘Helen & Kim’, the two-headed director team, opened Motion City Films’ doors over ten years ago. Since then they have established themselves as a duo with a rich, stylistic approach that carefully balances narrative and aesthetic. We look into this approach to their work and reveal Motion City Films' fresh and playful rebrand.
From choreographing adults dancing inside recycling bins in Istanbul to mapping out the final steps to a sequence 35 000 feet above the ground, when it comes to Director Amy Allais, nothing surprises us. We pinned down this frequent flyer who shared some of the behind the scenes moments from her work.
Our masks nearly dropped to the floor when we heard that almost 80% of Chocolate Tribe’s ad for Showmax ‘Game Changers’ was 3D visual effects. Rob van Den Bragt and Tiaan Franken pull back the VFX curtain to reveal how they brought Muhammed Ali back to life.
Director Laurence Hamburger is back on the commercials scene and has partnered with fellow renegade filmmaker, Executive Producer of Groundglass, Janette de Villiers. We talk to the duo about their unapologetic and sometimes unconventional approach to filmmaking.
We get the scoop on the latest addition to the FirstPencil team, Producer Bryony Webster. As the production company has steadily been taking on bigger more complex boards, so their production load has increased. Never wanting to compromise on production values, FirstPencil decided to enlist another powerhouse of a producer to boost their production team.