South Africa’s Cannes Predictions 2019

As part of our build-up to The Cannes Lions Festival of Creativity, we’ve asked some of our fearless industry leaders to channel their inner-psychics and select South Africa’s Cannes Predictions. Every year we are incredibly thankful and in awe of the great people that lend us their experience, knowledge and sexy eyes (♫Ooh ooh aah aah sexy eyes ♫) and this year is no different. Shout-outs, fist bumps and lingering hugs go out to our judges; Devin Kennedy (ECD at King James Group Cape Town), Kabelo Moshapalo (ECD at TBWA\Hunt\Lascaris), Molefi Thulo (CD at Ogilvy Johannesburg), Steph Van Niekerk (CD at Grey Africa), and Suhana Gordhan (CD at FCB Johannesburg). Below you can view the work that they’ve predicted will bring home the metal during Cannes.

Over the course of Cannes, starting right now at this very moment you are reading this, iDidTht in partnership with Ster-Kinekor, will be bringing home all the South Africa at Cannes news live from the festival. Not only do South African ads deserve and look better on their Big Screens, but you can get popcorn, coke and we’ve even heard rumours that they air big blockbusters after the ads?! Show us an iPhone that can do that?! With their hardworking team’s incredible support we’re able to bring you the Big Picture from Cannes. Merci, merci, merci!

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Cannes Lions. Hard to win. And almost as hard to predict at times. Looking at our entries, it feels like it was a slightly leaner year. But that doesn’t mean there weren’t some great pieces. So, in no particular order, here’s my list. Good luck to all entrants!

1. MERCEDES-BENZ S-CLASS ‘RETURN TO CHAPMAN’S PEAK’
You can tell me something works really well or you can show me. And for me, Return to Chapman’s Peak was as powerful a demonstration as you’re likely to get. Clammy handclap from me.

2. PHILIPS ‘#SHAVETOREMEMBER’
Madiba is a bit like Alec Baldwin. If you have him in your campaign, you’re halfway there. A well-crafted campaign with a really nice underlying message for all. It’s the kind of campaign that can easily strike a chord with international audiences.

3. DURACELL ‘PEOPLE CHANGE, POWER DOESN’T’
For me, this was just funny. Because it’s true. Nicely written ads that most of us can relate to.

4. CHICKEN LICKEN ‘SBU 2.0’
You can see a lot of love went into this ad. Beautifully shot. Well acted. Great track. And some smiles to boot.

5. SANLAM: ‘THE 200 YEAR OLD – PODCAST’
I usually don’t like putting our own work forward, but since we were asked to, this would be my select.

Mercedes-Benz S-Class ‘Return to Chapman’s Peak’

iDidTht Credits:
Agency: Net#work BBDO
Production Company: 7 Films
Post Production: Ludus Post Productions
Music & Sound: Audio Militia

Philips ‘#ShaveToRemember’

iDidTht Credits:
Agency: Ogilvy Johannesburg
Production Company: 0307 Films
Post Production: Deliverance
Music & Sound: Produce Sound / Kidwithamatch

Duracell ‘People Change, Power Doesn’t’

iDidTht Credits:
Agency: Grey Africa

Chicken Licken ‘Sbu 2.0’

*Entered into the Creative Effectiveness Category

iDidTht Credits:
Agency: Joe Public United
Production Company: ROMANCE
Post Production: Deliverance
Animation & VFX: Chocolate Tribe
Music & Sound: Produce Sound / Pulse Music

Sanlam ‘The 200 Year Old – Podcast’

iDidTht Credits:
Agency: King James Group CPT

What a difficult task to choose a mere 5 pieces from these exceptional world class ideas. Decisions, decisions. The main consideration is what stands out above all this creative excellence. A truly inspired, fresh and distinctive idea with a fitting execution. So here it goes in no particular order.

1. SAB 18+ ‘VUKA’
For starters, this is a really great initiative, the provocative story telling is rich in local nuances, which really paints this graphic picture of the social ills of the effects of underage drinking. Really good casting and performance with the powerful message of mentorship really hitting home at the end.

2. SIEMENS ‘FABRIC’
A great example of creative use of data in the form of beautiful visualisations. A distinct African aesthetic that showcases the brand’s offering in a unique and dynamic way.

3. ‘SAINT’
An immersive journey into beautiful craft. Provocative illustrations and intricate design come together to bring the idea of this indulgent brand to life.

4. SANLAM ‘LIVES OF GRACE’
A very well orchestrated branded content experience. What makes it even more potent is the type of product it’s bringing to life. A grudge purchase unpacked in powerful interactive story telling platform.

5. CITY LODGE ‘THE REAL COST OF BEING ZULU (VERNAC RADIO)’
A simple and effortless idea beautifully executed. Richly textured performances that make it truly, uniquely and proudly South African.

I am really inspired by all this work and am holding thumbs that some of these convert to that precious metal.

SAB 18+ ‘Vuka’

iDidTht Credits:
Agency: Joe Public United
Digital Agency: Joe Public Connect
Production Company: Egg Films
Post Production: Post Modern
Music & Sound: TigerFight

Siemens ‘FABRIC’

iDidTht Credits:
Agency: King James Group Johannesburg
Film Production Company: FirstPencil
Animation & SFX Company: Sinister Studios

‘Saint’

iDidTht Credits:
Agency: Grid Worldwide

Sanlam ‘Lives of Grace’

iDidTht Credits:
Agency: King James Group CPT

City Lodge ‘The Real Cost of Being Zulu (Venac Radio)’

iDidTht Credits:
Agency: TBWA Hunt Lascaris
Music & Sound: Produce Sound

1. DURACELL ‘PEOPLE CHANGE, POWER DOESN’T’
Clever insight beautifully executed.

2.CHICKEN LICKEN ‘SBU 2.0’
Human truth and crafted to perfection.

3. MERCEDES-BENZ S-CLASS ‘RETURN TO CHAPMAN’S PEAK’
A little nostalgia to make a compelling case for the advanced technology in the S-Class. Thrilling to watch.

4. NANDO’S ‘YOU PEOPLE’
Brave, humorous work as always from Nando’s. Proudly South African.

5. STER-KINEKOR ‘SUCCESS STORIES’
The campaign is very well written and stories are intriguing till the end.

6. CITY LODGE ‘REAL COST’
Superb, witty storytelling.

*7. Special Mention (if I may): SANLAM: ‘THE 200 YEAR OLD – PODCAST’

Duracell ‘People Change, Power Doesn’t’

iDidTht Credits:
Agency: Grey Africa

Chicken Licken ‘Sbu 2.0’

*Entered into the Creative Effectiveness Category

iDidTht Credits:
Agency: Joe Public United
Production Company: ROMANCE
Post Production: Deliverance
Animation & VFX: Chocolate Tribe
Music & Sound: Produce Sound / Pulse Music

Mercedes-Benz S-Class ‘Return to Chapman’s Peak’

iDidTht Credits:
Agency: Net#work BBDO
Production Company: 7 Films
Post Production: Ludus Post Productions
Music & Sound: Audio Militia

Nando’s ‘You People’

iDidTht Credits:
Agency: M&C Saatchi Abel
Production Company: Darling Films
Post Production: Ludus Post Productions
Music & Sound: We Love Jam

Ster-Kinekor ‘Success Stories’

iDidTht Credits:
Agency: FoxP2
Music & Sound: We Love Jam / Epidemic Sound

City Lodge ‘The Real Cost’

iDidTht Credits:
Agency: TBWA Hunt Lascaris
Music & Sound: Produce Sound

Sanlam ‘The 200 Year Old – Podcast’

iDidTht Credits:
Agency: King James Group CPT

1. GILLETTE ‘NOZIZWE’
This an extremely moving piece of film. Rooted in a hard-hitting South African insight,  its told with restraint and raw authenticity. It certainly doesn’t feel like an ad, and it isn’t. It’s an unscripted, true story. Plus, it has the backing of an iconic global brand that everyone knows. I predict that Gillette worldwide will have a brilliant Cannes this year.

2. DOOM ‘YOU SHOULD HAVE USED FAST, DEADLY DOOM’
Oy. When it comes to radio, I think the competition is DOOOOMED. The radio trio strikes again with these ridiculously silly and wonderful spots. And they feature the word ‘poop.’ Several times. Cannes judges love that shit. (Excuse the pun)

3. MERCEDES-BENZ S-CLASS ‘RETURN TO CHAPMAN’S PEAK’
Another strong contender. If you’ve managed to turn what is essentially a product demo into an engaging and compelling piece of content, you’ve already won.

4. DURACELL ‘PEOPLE CHANGE, POWER DOESN’T’
This is a continuation of the campaign that won big in 2017. The latest batch doesn’t disappoint. Well written, with an insight almost everyone over 25 can relate to on a very personal level. It’s definitely among our finest radio offerings this year.

5. NETFLORIST ‘SAY IT WITH A CACTUS’
A really simple idea born out of necessity. Gets my vote.

I didn’t want to include any of the work I’ve been involved with in these predictions. I’ve learnt that the only way to get through Cannes season is with low expectations and plenty of room for surprises. #ShaveToNotThinkAboutItTooMuch.

Good luck to everyone.

Gillette ‘Nozizwe’

iDidTht Credits:
Agency: Grey Africa
Production Company: 7 Films

Doom ‘You Should Have Used Fast, Deadly Doom’

iDidTht Credits:
Agency: Ogilvy Johannesburg
Music & Sound: Produce Sound

Mercedes-Benz S-Class ‘Return to Chapman’s Peak’

iDidTht Credits:
Agency: Net#work BBDO
Production Company: 7 Films
Post Production: Ludus Post Productions
Music & Sound: Audio Militia

Duracell ‘People Change, Power Doesn’t’

iDidTht Credits:
Agency: Grey Africa

Netflorist ‘Say it with a cactus’

iDidTht Credits:
Agency: HelloFCB
Post Production: POST CT

1. SAB 18+ ‘VUKA’
The first time I saw this piece, I was in a room full of hardcore, seasoned judges. I felt a heaving, a sniffle or two (the loud one from me), and it’s almost as if we needed to pause to get over what we had seen. I think it’s a fresh approach and will move the Cannes judges.

2. MERCEDES-BENZ S-CLASS ‘RETURN TO CHAPMAN’S PEAK’
The ultimate product demonstration ad – it’s beautifully crafted with simple, powerful storytelling. I’ve always loved it. And will continue to back this one!

3. KFC ‘MAKE A MEAL OF IT’
How can you not want to watch this piece over and over? It’s hilarious, super relevant and the one we all wish we had done. It deserves to be lauded and applauded and I know it will make the mood and the macaroons in those dark, dreary rooms feel a whole lot brighter.

4. DURACELL ‘PEOPLE CHANGE, POWER DOESN’T’
I’d like to lament these spots for their stark truths about aging and maturity, but I really can’t help but love them for their humour, perfectly selected words, and non-lofty approach. I hope I never buy shoes from a pharmacy. 

5. CHICKEN LICKEN ‘FAR-FETCHED’
First, this voice is awesome. Any other voice would not have achieved the same result. The writing embraces the hyperbole and he effortlessly delivers the exaggerations in a low-key, loveable way.

SAB 18+ ‘Vuka’

iDidTht Credits:
Agency: Joe Public United
Digital Agency: Joe Public Connect
Production Company: Egg Films
Post Production: Post Modern
Music & Sound: TigerFight

Mercedes-Benz S-Class ‘Return to Chapman’s Peak’

iDidTht Credits:
Agency: Net#work BBDO
Production Company: 7 Films
Post Production: Ludus Post Productions
Music & Sound: Audio Militia

KFC ‘Make a Meal of It’

iDidTht Credits:
Agency: Ogilvy Cape Town
Production Company: Giant Films
Post Production: Deliverance

Duracell ‘People Change, Power Doesn’t’

iDidTht Credits:
Agency: Grey Africa

Chicken Licken ‘Far Fetched’

iDidTht Credits:
Agency: Joe Public United

South Africa’s Cannes Coverage:

We’re tweeting out South Africa’s Shortlists as they’re announced every day
iDidTht will also be the first to bring you the live results during Cannes (17-21 June). We will showcase all the SA shortlists, the work, companies involved and winners, with an up to date tracker so you can follow it all live. All the work will be linked back to iDidTht companies involved, so you can find out who to work with. Check in to this dedicated page with all the updates from the 16th of June to follow all SA’s featured results at Cannes and find out who’s winning what.

We’re tweeting out South Africa’s Winners live from the awards
The awards run over all 5 nights during Cannes week, kicking off at 19:00 France time (we Googled it and that’s also 19:00 SA time #Magic) and we’ll be there live-tweeting and screaming wildly every time SA is awarded. Follow us on these Twitter accounts to keep up-to-date on all South Africa’s results as they happen: @ididtht and @SAatCannes

Follow ‘Frannes in Cannes’ for daily takeouts
Industry heavy-weight and CCO of Grey Africa, Fran Luckin, has not only been selected as one of the official Cannes judges in the Film category for the Festival, but she will also be bringing you ‘Frannes in Cannes’. That’s right gang, after several attempts at bribing her and endless WhatsApp voice notes, Fran finally took pity on our pleas and agreed to bring us all daily posts, insights, and opinions of her time on the ground in Cannes. BELIEVE US, THIS IS NOT TO BE MISSED. Follow ‘Frannes in Cannes’ every day during the festival (17-22 June) right here on iDidTht for the real behind-the-scenes we’re all afraid to talk about.

Follow our Insta-Stories for the Big Picture
Follow us on Instagram (@ididthat.co) for the general Cannes vibe; what’s happening on the ground, famous faces we bump into, those golden moments of our South Africans representing on the global stage, winners wielding their Lions on the red carpet, winners falling over their Lions at the Gutter Bar, stalking celebrities and of course the tradition of the annual family portrait of all the Saffers representing in Cannes. Again, a massive fist-bump goes out to our partners at Ster-Kinekor for making this all possible for us. We’ll fly the flag high!

If you’re heading to Cannes this year, please let us know so we can add you to the South Africans in Cannes group to make sure you don’t miss out on our annual SA family portrait taken on the Croisette. It’s like herding cattle but we wouldn’t miss it for the world. See you on the other side Team SA!

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