

Post Modern
Post Modern is a post production facility located in Johannesburg, South Africa. We have an award winning team, and an outstanding showreel to prove it.
Johannesburg
Offline Editors: Shelby Ncube / William Kalmer
Colourist: Africa Majola / Online Artist: Andries De Jager
Producers: Sarah Modiba / Leanne Schalekamp
Post Modern is a full-service post-production company specializing in advertising and film. With a strong focus on collaboration and storytelling, our experienced team works on a diverse range of projects, from commercials and promos to documentaries, music videos, and both short- and long-form content. We offer offline editing with Adobe Creative Cloud, FCPX, and Avid, alongside color grading using Da Vinci Resolve. For video finishing, we have two Autodesk Flame suites, ensuring a seamless and high-quality post-production experience across all stages of the process.
Key Achievements
2017 – The Hangman (Short Film)
- Zanzibar International Film Festival – Best Short Film
- Durban International Film Festival – Best South African Short Film
- Discover Film Festival – Best in Fest & Best International Drama
- Best of International Short Films Festival – Silver Main Jury Award, Best Young Jury Award
- Afrika Film Festival – The Silvern Yamfa Award
- Shnit International Film Festival – Best Short Film
- Jozi Film Festival – Best Short Fiction Film
- Eko International Film Festival – Best Short Film
- LA Short Film Fest – Best Foreign Film
- Shortlisted for the Oscars – Best Live Action Short Film (longlist)
2019
- Loeries Gold (TV & Cinema – 90s+) – SAB “Vuka 18+”
- Loeries Bronze (Digital & Online Video) – Ford “The Independent State of Nandi”
- Loeries Craft Certificates (Editing & Performance) – SAB “Vuka 18+”
2020
- IDIDTHAT Craft Mention (Editing) – Vicks “Where Joy Lives”
2021
- Best Short Documentary – Independent Shorts Awards (USA) – Scum Boy
2022
- One Show Merit Award (Sound Mixing) – MTN “Feet”
2024
- Loeries Craft Gold (Editing) – Bongeziwe Mabandla “Soze”
- IDIDTHAT Craft Award (Editing) – MTN ‘Summer’
- Loeries Official Rankings – #1 Post Production Company
+27 (0)10 475 0190 / 1
producer@postmodernstudios.tv
156 Hyde Lane
Hyde Park Lane Office Park
Victoria Gate West Office Block
Craighall, Johannesburg
Gauteng
2196
AWARDED BY IDIDTHAT
AWARDED: CRAFT MENTION (EDITING CRAFT)
Post Modern | William Kalmer
MTN ‘Summer’
IDIDTHAT Guest Judge: Shane Forbes, Executive Creative Director at TBWA Hunt Lascaris
December 2024
Shane’s comment: ‘Special Craft Mention to William Kalmer at Post Modern for this one. Using stock is never easy or that fun but the way he has combined stock, shot footage and animation makes for a nice piece of craft. Re-watching I noticed more and more craft detail that I might have missed on the first watch. Solid.
*Please note: While I work at the agency that made this spot, I had no input or participation in this project whatsoever.’
AWARDED: CRAFT MENTION (EDITING)
Post Modern | Marcelle Mouton
Shelflife ‘MMW Zoom 4’
IDIDTHAT Guest Judge: Thibedi Meso, ECD & Partner at Brave Group
IDIDTHAT Guest Judge: Trevor Clarence, Director at Your Girlfriend
February 2021
Thibedi’s comment: ‘This ad sold me on these shoes in the first minute. And when they started unselling the shoes I wanted to give them all my money. It’s brilliantly done. Its steady pace and the contemplative inner voice of the main character give it a daydream feeling that makes it very enjoyable to watch.’
Trevor’s comment: ‘This is such a beautifully constructed spot and it really comes together in the way it was edited. So often longer ads can become indulgent without the discipline of 30 seconds. But this edit has a beautiful momentum that never wastes a moment. The tone and pace and flow with the music, the timing and performance selection, all great choices.’
AWARDED: CRAFT MENTION (EDITING, DIRECTION, CINEMATOGRAPHY & MUSIC)
Post Modern | William Kalmer (Editing Craft)
Vicks ‘Where Joy Lives’ #TouchOfCare
IDIDTHAT Guest Judge: Ricky Boyd, Film Editor at Deliverance Post
March 2020
Judge’s comment: “A close contender for Best in Craft as all aspects were of such a high standard. It loses its way a bit in the middle, a trap we perhaps fall into when duration is not an issue and we become a tad indulgent. However, the performance, cinematography and edit work hand in hand to deliver on this emotional story. The music is handled well around the narration and while perhaps a little expected, still lends well to the mood. Congratulations to all on the hard work apparent in this piece.”
FEATURED WORK
AWARDED WORK