Incommon’s director Retang Sebeka cleans up with character-driven Handy Andy for Machine_

Incommon’s latest campaign for Handy Andy sees director Retang Sebeka take everyday household mess and push it into slightly absurd territory, turning chaos into a string of funny moments driven by nuanced comedic performances where the characters are given room to breathe. Retang’s playful, slightly offbeat tone is something we’ve spoken about before, and with this campaign, he’s now stepping confidently into performance-led storytelling.

2026-03-06T11:19:53+02:00March 6th, 2026|Categories: Editorial, Incommon Productions|Tags: , |

Marketer Spotlight: Vaughan Croeser, Vice President of Marketing at The South African Breweries

There are some brands so deeply woven into our daily South African lives that they’ve become as familiar to us as rugby, boerewors, and arguing about both. When it’s your job to look after those brands, to keep them loved and relevant… well, no pressure, right? That’s exactly the world Vaughan Croeser, VP of Marketing at South African Breweries, operates in every day. In this Spotlight, we spoke to Vaughan about trusting directors, backing big ideas, judging at Cannes, and why long-term brand building still requires short-term courage.

Five years at number one, why Marc Algranti still leads the music conversation

For five consecutive years, Loeries has ranked Marc Algranti as South Africa’s number one music supervisor. Five years people! In an industry that forgets quickly and moves on even faster, that kind of consistency doesn’t happen by accident. Instead, it happens because someone cares, deeply, about music, detail, relationship and getting it right.

2026-02-20T07:40:13+02:00February 20th, 2026|Categories: Editorial, Marc Algranti Editorial|Tags: , |

Real-time Virtual Production Studio opens in Joburg, VRtuosus. Here’s what you need to know.

The brief says “sunset in the Alps.” The budget says “parking lot in Joburg.” It’s a tale as old as time in South African production. Enter VRtuosus, a Joburg-based film tech studio using real-time virtual production, already proven on major productions globally. Directors can now achieve visuals that are often only possible with Hollywood-level budgets, right here in Joburg. Ad world, it’s our time.

2026-02-20T07:38:27+02:00February 20th, 2026|Categories: Editorial|Tags: |

Thandeka Gilbert Said That. How the Work Gets Made: Inside the Creative Process

Thandeka Gilbert is an award-winning creative known for shaping culture, championing Black women in leadership, and making work that lives beyond the brief. Recognised at major shows and a jury member at Cannes Lions, Dubai Lynx, Loeries, Creative Circle, Bookmarks, and Pendoring, she pairs sharp instinct with serious craft. In this conversation, she shares what really happens between brief and final work, what she won’t compromise on, and why backing an idea, and each other, matters.

2026-02-20T08:16:35+02:00February 19th, 2026|Categories: Editorial|Tags: , |

LittleBig director Rob Smith on big storytelling with restraint for ‘Safely Home’ campaign

Last year, more than 700 mothers in the Western Cape lost a child to road-related incidents. ‘Safely Home’, the campaign directed by LittleBig’s Rob Smith for Ogilvy Cape Town and the Western Cape Government, approaches that reality with restraint and care. While comedy may be Rob’s most visible calling card, this work shows his ability to handle big, emotionally complex stories with a measured, thoughtful approach.

2026-02-16T21:19:09+02:00February 16th, 2026|Categories: Editorial, LittleBig Editorial|Tags: , |

Director Mark Strydom brings the lessons of Africa home to Robot

Just in time for Valentine’s Day, director Mark Strydom is making things official with Robot, joining the team for local representation and bringing experience shaped across Africa and international markets back home. For the past few years, Mark has deliberately been directing outside South Africa, leaning into work across Nigeria, Kenya, Mozambique, Ghana, India, the Middle East, and parts of Europe. Different pressures, different cultural nuances, but across every market one principle stayed the same for him, “If the work doesn’t feel real to the people watching it, it doesn’t land.”

2026-02-13T12:51:08+02:00February 13th, 2026|Categories: Editorial, Robot Editorial|Tags: , , |

Marketer Spotlight: Star Kachisa, Head of Marketing, Spotify Sub-Saharan Africa

As Head of Marketing for Spotify Sub-Saharan Africa, Star Kachisa leads work across some of the most culturally layered markets in the world. She’s clear that the job isn’t to ‘make movies’, but to make work that earns attention, drives behaviour, and actually sells product. Spoiler alert: it’s also really good work. So we sat down with Star to find out how that work gets made, and what really matters along the way.

2026-01-30T08:36:38+02:00January 30th, 2026|Categories: Editorial, Marketer Spotlight|

Markus Wormstorm and Biblo.tv, a direct line to Africa’s musical underground

Composer and music supervisor Markus Wormstorm launched Biblo in 2012 to solve a familiar industry frustration. Directors and editors were stuck choosing between generic library music or culturally relevant tracks that couldn’t be licensed. Biblo emerged as a third option - access to contemporary African sound, built to move seamlessly from offline edit to final delivery.

2026-01-30T08:39:41+02:00January 29th, 2026|Categories: Biblo.tv Editorial, Editorial|Tags: , |

Q&A with Giant Films director Paul Ward on process, story and creative restraint in branded storytelling

In this Q&A, Giant Films’ director Paul Ward unpacks his process, his approach to storytelling, and how to navigate brand involvement without letting it overpower the human story. In a one-on-one conversation, we dig into the making of ‘The Philipstown WireCar Grand Prix’, a deeply moving, beautifully considered film that stays grounded while still feeling ambitious in scale and imagination.

2026-01-28T11:37:57+02:00January 28th, 2026|Categories: Editorial, Giant Films Editorial|Tags: , |

Mushroom Media making moves as top colourist Kyle Stroebel joins the team.

New offices, new faces, and now a big-name new addition to the team. Colourist Kyle Stroebel has taken up residency at Mushroom Media Cape Town, adding serious weight to their talent offering and giving Cape Town a new reason to be on everyone’s shortlist for both commercial and long-form work.

2026-01-23T08:18:49+02:00January 23rd, 2026|Categories: Editorial, Mushroom Media Editorial|Tags: , , |

Darling Fling. A year of sparks, chemistry & unexpected love affairs.

They’re here for the spark, the wild idea, the impossible challenge, the moment a project makes your pulse skip. And in just one year, the industry has figured it out: if you’re going to flirt with something unexpected, you call Fling. Fresh from a Loeries haul that includes one Gold, two Silvers, three Bronzes and a Craft Certificate and armed with a cheeky new, unmistakably Fling website, Darling Fling is officially impossible to miss.

The impossible task of defining Dan Mace’s JOE* Films

Ten years into building JOE*, Founder and Director, Dan Mace, has just finished editing a video that tries to make sense of it all. The highs, the lows, the ambition, the missteps, the learning. At the same time, his latest work for Checkers, created with 99c, has landed, giving the industry a clear example of where that decade of experimentation has led…spoiler… viral hit after viral hit, that’s where!

2025-12-19T13:05:34+02:00December 19th, 2025|Categories: Editorial, JOE Editorial|Tags: , , |

WISH I IDID THAT: May / June / July / August 2025

We all know the feeling when a piece of work drops and you think, “Damn, I wish I did that.” Instead of pretending we’re above it, we decided to lean in and turn those envy tingles into something worth celebrating. So we gathered some of South Africa’s sharpest creative minds, handed them some of the best work agencies have released over the last few months, and asked them to pick the pieces they wish they did. Here’s to giving credit where it’s due and maybe inspiring a little healthy jealousy along the way.

Robin de Jager, the Triple Story Content director behind the film heating up the South African film industry

Before the local industry had even seen a frame, Robin de Jager’s new film ‘Lil_ith’ was already making noise internationally. It premiered at the Oscar- and BAFTA-qualifying Odense International Film Festival and QFest St. Louis, a rare feat for a South African indie, especially one made entirely by bootstrap grit and obsessive care. Combine that with his growing commercial portfolio and the production backing of Triple Story Content, and it’s exactly why Robin should be on your director radar.

2025-11-27T10:03:47+02:00November 27th, 2025|Categories: Editorial, Triple Story Content Editorial|Tags: , |

New energy at Eyeforce. Fresh showreel, new website, and photographer Alex Kibble joins the roster

Eyeforce has launched a new showreel and website, marking a refreshed chapter for the production company. The reel pulls together some of their latest work, a reminder of the adventure, authenticity, sport and craft the team has become known for. It also arrives alongside the announcement of photographer Alex Kibble joining the roster.

2025-11-19T11:24:55+02:00November 19th, 2025|Categories: Editorial, Eyeforce Editorial|Tags: , |

So you want to start a Creative Consultancy?

After two decades in big agencies, leading creative work for brands like Coca-Cola, Nando’s, and USAID, and collecting a trail of Loeries, Pendorings, One Show and D&AD awards along the way, Suhana Gordhan did something unexpected. Trading the machinery of big agencies for something more intimate and intentional, she launched a creative consultancy, LoveSong. In this conversation, she shares the honest reality of starting from scratch and learning your worth. If you've ever thought about going independent, this one's for you.

2025-11-06T10:03:13+02:00November 6th, 2025|Categories: Editorial|Tags: , |