I DID THAT Guest Judge: Jabulani Sigege
IDIDTHAT JUDGE JABULANI SIGEGE GROUP EXECUTIVE CREATIVE DIRECTOR MACHINE_ SOUTH AFRICA JUDGE'S BIO Like Zlatan Ibrahimovic, Jabulani sometimes finds himself talking in the third person. Almost only when [...]
I DID THAT Guest Judge: Jessie Zinn
IDIDTHAT JUDGE JESSIE ZINN DIRECTOR BIOSCOPE FILMS SOUTH AFRICA JUDGE'S BIO Jessie Zinn is a South African film director working across commercials, documentary and narrative film. With an [...]
Cannes Lions Grand Prix work produced by South African crew
Chances are, you have already heard of Coinbase’s ‘Your Way Out’ ad. It won the Cannes Lions Film Craft Grand Prix, collected five more Lions and has since landed a Primetime Emmy nomination. What you may not have heard is just how much of it was made by South Africans. We go behind the scenes with service company, Gatehouse.
Nothing hits like Extra Cold. Except maybe a snowball.
Castle Lite has taken ‘Nothing hits like Extra Cold’ very literally, making it snow across Nigeria, Tanzania and Mozambique in its latest campaign. Created by Boundless and directed by Darling Films’ Chloe Coetsee, ‘Nothing hits like Extra Cold’ turns that first icy sip into a full-blown bar snowstorm.
Pete Case has seen advertising change a lot. Here’s what hasn’t.
So, what has more than three decades of making work, building agencies and leading creative people taught Pete Case? Quite a lot, as it turns out. We spoke to Pete, CEO & Creative Chairman of Ogilvy South Africa, about why South African creatives travel so well, the ideas that still give him goosebumps, what great marketers get right, protecting humans in the age of AI, surviving an industry full of ‘Nos’, and why you’ll occasionally find one of South Africa’s most powerful advertising leaders in his garage fiddling with a petrol engine.
Craft Award Results: July 2026
Director Zee Ntuli from Darling Films and Editor William Kalmer from Post Modern take Best in Craft in this month’s IDIDTHAT.co Craft Awards for Castle Milk Stout ‘This is African Time’. A big thank you to this month’s judges, Kate De Bruyn, Creative Director at Studio One, Publicis Groupe, and Greg Gray, Director at Romance Films, for lending us their impeccable taste to pick the month’s standout work.
What the hell did Fausto Becatti feed this Pick n Pay ad?
We caught up with Bioscope director Fausto Becatti and Executive Producer Daniel Kaplan to go behind the scenes of their new ad featuring the Springboks, the one that had us asking, "Woah, is that a Pick n Pay ad?"
Why producers keep calling Cherry Picked first (and why Cape Town should too)
Founded by Cherise Haskins, Cherry Picked Locations has become one of Joburg’s go-to location agencies over the past decade. Now, after building a growing portfolio of locations in Cape Town, Cherry Picked is bringing that same hands-on approach to the Mother City.
Before Creative Circle’s Full Circle: Inside the jury room with Jabulani Sigege
As we gear up for Full Circle, we asked Cannes Lions 2026 Audio & Radio juror Jabulani Sigege to share a few reflections from inside the jury room. From what separated the winning work to why South African creativity is uniquely positioned on the global stage, here are three lessons he brought home from Cannes.
The work behind the work: creating the conditions for creativity
Robyn Campbell has spent her career doing the things most people never see. She started in fashion design, moved through the early days of digital, led agencies, and now serves as Senior Vice President at Publicis Groupe Africa. She’s become an expert in the invisible work behind great creativity: building teams, shaping culture, backing people and protecting ideas long enough for them to become exceptional. In this conversation, Robyn shares how her definition of creative taste has evolved, why the hardest leadership happens behind the scenes, what separates good work from great work in a jury room, and the one thing about South African creativity she hopes we never lose.
400 women, one room, and an unusual cohort from SA’s creative industry.
On 5 August, The Forum in Bryanston will bring together Nedbank’s Khensani Nobanda, MaXhosa Africa’s Lihle Ngxokolo-Nqini, Rachel Kolisi and Carla Venter, alongside a growing crowd from across South Africa’s advertising, marketing, production and creative industries. With tickets selling fast and only a limited number remaining, now's the time to secure your seat.
Corona. It’s Sunset Time.
To celebrate Corona’s belief that life is best lived beyond our screens, Boundless created a series of living posters that turned the setting sun into the brand itself. Captured at the exact moment the sun kissed the horizon over the city, long winter shadows stretched across the streets to create the silhouette of a Corona bottle, leading you to the sunset.
Creative Circle’s Full Circle event is back
The Creative Circle Full Circle 2026, in partnership with Ster-Kinekor, hosts a selection of jury members, as they take the audience inside the jury rooms, through an inspiring showcase of the top trends, insights and award-winning work from Cannes Lions International Festival of Creativity.
Director Jason Fialkov makes Carbon Films home
Director Jason Fialkov has rejoined Carbon Films after several years working independently. The move reunites him with the team behind some of his most recognised work. And while there were plenty of practical reasons for returning, Jason sums it up by saying, "I miss the family."
Craft Award Results: June 2026
Three examples of South African craft rise to the top in this month's IDIDTHAT.co Craft Awards. Congratulations to Paul Ward from Giant Films, Alex Smillie from Pressure Cooker Studios and Craig Moore from Robot, whose work impressed this month's judges. And a big thank you to Galaletsang Kgoathe, Creative Partner at Ogilvy South Africa, and Marc Algranti, Music Supervisor at Algranti Music, for giving up their eyeballs, ears and excellent judgement to crown this month's winners.
Spitfire’s director AK put Joburg’s new virtual production studio, VRtuosus, to work
Spitfire’s Director AK recently used the new VRtuosus studio in Hyde Park on a shoot for Profmed featuring Springbok prop Ox Nche, becoming one of the first South African commercial directors to put VRtuosus through the real test.
Sanaa Mothabisa shoots from the heart in intimate new work about the mothers who raise us all
Fresh off taking home Silver in the ‘First Series – Full Series’ category at the Young Directors Award in Cannes for VW, Sanaa Mothabisa’s and the team at Sanaa Films continue to build an impressive body of work. Sanaa's latest commercial for Infacare through LePub leans into one of his superpowers: sensitivity. Shot in striking black and white, the film reflects a director growing in confidence and craft.
Grid Worldwide returns to it’s independent edge
Grid Worldwide is independent again and it thinks the timing couldn't be better. After 16 years as part of TBWA\SA, Grid Worldwide has completed a management buyout, officially returning to full independence from 1 June.
Expect the unexpected with Robot’s Ayanda Duma, new work
Robot director Ayanda Duma has a habit of finding the version of a story you didn't know was there. Her latest work for Meow Meow Woof and Mukuru blends genres, humour and beautifully observed human moments into a film that feels unmistakably like Ayanda.
Playlists to pitches: choosing directors, earning trust and making memorable work
In this conversation, Zanele Kabane, M&C Saatchi Abel Associate Creative Director, shares what she looks for in directors, why trust between agencies and marketers changes everything, the ads she wishes she'd written, her complicated relationship with AI, and the unexpected hobby that's teaching her a surprising amount about creativity. Don't miss her shout-out to some of her favourite creatives doing work in our industry right now.