Best in Craft awarded to Slim from Darling Films

And Slim takes it! This month’s IDIDTHAT.co Craft Awards were judged by Juliet Honey, Creative Director at TBWA\ South Africa, and Zee Ntuli, Director at Darling Films. Thank you for lending us your smarts, you beauties. Big congrats to Slim from Darling Films for taking the top spot this month….and for getting us to order burgers.

‘What are the IDIDTHAT.co Craft Awards?’ Every month we team up with ad industry leaders to award the finest in South African film and production craft across these different categories: Direction, Editing, Cinematography, Animation and VFX, Online, Original Sound, Sound Design and Final Mix. It’s just another way that we make it ridiculously easy to stay up-to-date with who’s doing the best work in the country. 

     BEST IN CRAFT 

BEST IN CRAFT (DIRECTION)
McDonald’s ‘Golden Arches’ (Director’s Cut)
Darling Films | Slim

Awarded by Juliet Honey & Zee Ntuli

Judge’s comment: ”My Best In Craft for December goes to Slim from Darling Films for the enjoyable McDonald’s ‘Golden Arches’ spot. Light, floaty and beautifully cinematic with characters that I liked. It made me smile and feel like a burger.” – Juliet Honey, Creative Director at TBWA\ South Africa

Judge’s comment: ”Best In Craft goes to ‘Golden Arches’ Director’s Cut for a few simple reasons. It’s a  beautifully simple idea, handled with real confidence and restraint. Slim makes something technically complex feel light. Easy. Almost casual to watch.
There’s a quiet magic running through it. That feeling of being pulled out of the everyday. Of being saved, just for a moment, from the dull rhythm of life. Slim taps into that without  pushing it or underlining it. 

What really lands for me is how the whole thing comes together. This is where directing shows. The film becomes more than the sum of its parts. Cinematography, edit, wardrobe, performance. Nothing is shouting. Everything is in conversation.
It feels effortless, even though you know it isn’t. Rich, graphic images. A smooth, floating edit. Choices that stay out of the way of the feeling.  It’s just good! Clean. Thoughtful. Properly made.” – Zee Ntuli, Director at Darling Films

     CRAFT MENTION

CRAFT MENTION (CINEMATOGRAPHY)
Chicken Licken ‘Soulfluencer’
7 Films | Lourens van Rensburg

Awarded by Juliet Honey

Judge’s comment: ”A special mention must go to Lourens van Rensburg from 7 Films for Chicken ‘Licken Soulfluencer’ for cinematography. The small-town Americana cinematic language with its spacious, locked-off frames and beautifully observed character portraits heightens the awkward, out-of-place energy of the announcer. Every shot reinforces just how out of place he is. And that’s exactly the point.”

CRAFT MENTION (SOUND – ORIGINAL MUSIC CRAFT)
Chicken Licken ‘Soul Food To The World’
Howard Audio | Adam Howard

Awarded by Zee Ntuli

Judge’s comment: ”This piece plays with the ‘save the world’ trope really well. What lifts it for me is how seriously it commits. There’s no distance from the idea. No winking at the audience. That sincerity is exactly where the comedy comes from. 

The musicians fully lean in. They treat the parody like it matters, and that’s what makes it funny. The performances are genuinely great. Everyone feels on the same page, tonally and emotionally.

It’s nuanced. Restrained. And confident enough to trust the idea without overplaying it.”

CRAFT MENTION (CINEMATOGRAPHY)
BIC ‘Chef’ (Director’s Cut)
Josh Levi (Entered on behalf of Josh Levi by Spitfire Films)

Awarded by Zee Ntuli

Judge’s comment: ”With BIC, ‘Chef’, it would have been very easy to chase something like The Bear. Go frenetic. Long lenses. Constant pressure. That language is right there for the taking. 

Instead, Josh and the team pulled back and employed restraint.

The piece feels cared for. You can feel the hands on it. It’s naturalistic. Tactile
.”

IDIDTHAT GUEST JUDGES:

Juliet Honey, Creative Director at TBWA\ South Africa
Juliet began her career at TBWA Hunt Lascaris as a studio assistant back when BlackBerry’s were still a thing. She believes that the late nights, spray glue fumes and working with some of the best advertising minds in the country gave her the perfect foundation for her career. Since then, she has worked at some of Joburg’s top agencies and a huge variety of brands. Her favourite things are humans, problem solving and beautiful ideas.

Zee Ntuli, Director at Darling Films
Zee Ntuli is known for creating globally recognized work that combines striking visuals with strong storytelling. His campaigns have earned honours at Cannes Lions, The Clios, The One Show, and Loeries, including Gold, Silver, Bronze, and Glass Lions, as well as a Gold Pencil. In 2024, he served on the Cannes Lions Film Craft Jury, further cementing his reputation in the industry. Zee’s work continues to resonate worldwide, delivering creativity, impact, and aesthetic precision across film and advertising.

   ALL CRAFT ENTRIES

Craft Entered: Direction

ENTRANT:
Company: Human Studio
Director: Juan Visser

Craft Entered: Direction

ENTRANT:
Company: 7 Films
Director: Lourens van Rensburg x Khanyi Mashinini

Craft Entered: Direction

ENTRANT:
Company: 7 Films
Director: Lourens van Rensburg

BIC ‘Chef’ (Director’s Cut)

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: AK

Craft Entered: Direction

ENTRANT:
Company: Darling Films
Director: Slim

Craft Entered: Direction

ENTRANT:
Company: JOE Films
Director: Dan Mace

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: Paul Ramaema

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: Paul Ramaema

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: Paul Ramaema

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: Paul Ramaema

Craft Entered: Direction

ENTRANT:
Company: Spitfire Films
Director: Ying Poi De Lacy

Craft Entered: Cinematography

ENTRANT:
Company: 7 Films
Cinematographer: Lourens van Rensburg

Craft Entered: Cinematography

ENTRANT:
Company: Human Studio
Cinematographer: Kyle Wesson

BIC ‘Chef’ (Director’s Cut)

Craft Entered: Cinematography

ENTRANT:

Cinematographer: Josh Levi
Entered on behalf of Josh Levi by Spitfire Films

Craft Entered: Editing Craft

ENTRANT:
Company: 7 Films
Editor: James O’ Sullivan

Craft Entered: Editing Craft

ENTRANT:
Company: JOE Films
Editor: Keegan Hall

BIC ‘Chef’ (Director’s Cut)

Craft Entered: Editing Craft

ENTRANT:
Editor: Jade Bowyer & Ace Up Post Production
Entered on behalf of Jade Bowyer & Ace Up Post Production by Spitfire Films

Craft Entered: Editing Craft

ENTRANT:
Editor: Anlerie Cilliers & Ace Up Post Production
Entered on behalf of Anlerie Cilliers & Ace Up Post Production by Spitfire Films

Craft Entered: Editing Craft

ENTRANT:
Editor: Anlerie Cilliers & Ace Up Post Production
Entered on behalf of Anlerie Cilliers & Ace Up Post Production by Spitfire Films

Craft Entered: Editing Craft

ENTRANT:
Editor: Anlerie Cilliers & Ace Up Post Production
Entered on behalf of Anlerie Cilliers & Ace Up Post Production by Spitfire Films

Craft Entered: Editing Craft

ENTRANT:
Editor: Anlerie Cilliers & Ace Up Post Production
Entered on behalf of Anlerie Cilliers & Ace Up Post Production by Spitfire Films

Craft Entered: Sound – Original Music Craft

ENTRANT:
Company: JOE Films
Composer: Dan Mace, Jason Winde, Keegan Hall

Craft Entered: Sound – Original Music Craft

ENTRANT:
Composer: Marc Algranti, Algranti Music
(Entered on behalf of Marc Algranti by 7 Films)

BIC ‘Chef’ (Director’s Cut)

Craft Entered: Sound – Original Music Craft

ENTRANT:
Composer: Garrick Jones
Entered on behalf of Garrick Jones by Spitfire Films

Craft Entered: Sound – Original Music Craft

ENTRANT:
Company: Howard Audio
Composer: Adam Howard