
Director Mark Strydom brings the lessons of Africa home to Robot
Just in time for Valentine’s Day, director Mark Strydom is making things official with Robot, joining the team for local representation and bringing experience shaped across Africa and international markets back home. For the past few years, Mark has deliberately been directing outside South Africa, leaning into work across Nigeria, Kenya, Mozambique, Ghana, India, the Middle East, and parts of Europe. Different pressures, different cultural nuances, but across every market one principle stayed the same for him, “If the work doesn’t feel real to the people watching it, it doesn’t land.”




“Understanding people, reading the room, and keeping momentum without losing intention became central to how I direct. Now, after years of building experience outside South Africa, that journey comes home for me as I join Robot,” says Mark
The relationship between Mark and Robot began on a Nigerian campaign for global betting brand Betano, where the creative chemistry was immediate. There was a shared sense of energy, ambition to make great work, and trust from the outset. Since then, the collaboration has grown through work on MTN, with more projects already in the pipeline.
“I’ve admired Mark’s body of work for a long time. It reflects an incredible career and a deep creative instinct. We come from a shared generation shaped by the Velocity era where a relentless work ethic was the baseline. What sets Mark apart is his rare balance of pushing creative boundaries while staying grounded in what the client needs to achieve. He brings clarity, energy and conviction to every room he’s in.
We’re seriously proud to welcome him to Robot,” says Robot Executive Producer Liam Johnson




The past year alone reflects the range of Mark’s work. There’s a lot! His work has spanned telecoms, betting, automotive, and beverage categories, shot across South Africa, Nigeria, Mozambique, and India. Each project required sensitivity to culture, agility on set, and problem-solving under pressure. Despite the differences in scale and genre, all were driven by the same objective: make the work feel authentic to the audience it’s made for.
Central to Mark’s approach is his commitment to developing local talent. He says, “Wherever I’ve worked, I’ve invested time in training and mentoring crews, sharing process, transition language, and performance direction so teams can fully own the work. Using local crews is not only efficient, it also ensures authenticity and leaves behind stronger, more confident teams long after production wraps.”



That ability to connect quickly with people on set is something Mark’s collaborators consistently reference. Ledama Sempele from Film Crew in Africa says, “Marky can walk onto any set and immediately tap into the talent and heart of the crew. He brings out the best in people and is a true collaborator, always thinking about the end product and something we can all call ours.”
That approach has been especially important on long-running campaigns such as 2M in Mozambique. Where Mark has worked along Bill, Producer and DOP at Codec Life Films, for the past two years.



Agency partners have similar sentiments. Tarryn Miller, Head of Production at Hogarth Cape Town adds, “Marky combines creative problem-solving with genuine collaboration. He draws strong performances from cast and keeps communication open, bringing agency creatives into the process in a way that keeps everything flowing.”
That sense of trust carries through to his partnership with Robot. Producer Godfrey Matsika says, “It clicked from day one. We’ve worked across Lagos and Joburg, and every project just flows. Marky brings a calm, steady energy that keeps things moving under pressure.”


Creatively, Mark describes himself as an immersive director. Rather than starting with shots or camera setups, he says that he starts with experience, “I prioritise flow, transitions, and emotional continuity, aiming to pull the viewer into the story and take them on a journey.” His work often lives in kinetic spaces like tech, apps, liquids, and sport, categories that demand both precision and energy.
Despite the scale of his projects, Mark remains firmly people-first. “I don’t make ads for cameras or techniques,” he says. “I make them for people. If you take the audience on a ride and make them feel something real, everything else falls into place.”
With Robot, Mark comes home with a body of work shaped across Africa, joining a roster that values collaboration, loads of energy and work that feels real.
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Executive Producer: Liam Johnson
liam@therobot.tv
+ 27 71 564 2286
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Produced by the IDIDTHAT Content Studio
Credits: Anne Hirsch (Writer) / Julie Maunder
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This editorial was commissioned by Robot.
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