Arcade Content

Arcade is a division of Egg Films that specialises in film advertising, while also producing music videos, documentaries, photography, activations and more.

Johannesburg & Cape Town

Directors: Alexa Wilson / Lebogang Rasethaba / Zandi Tisani
Producers: Will Nicholson

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Arcade is a division of Egg Films that specialises in film advertising, while also producing music videos, documentaries, photography, immersive media, activations and any other creative-production problems that need solving.

We’re drawn to the frontier of culture and technology, breaking the mold of commercial filmmaking with a forward-thinking and budget-friendly approach to production, balanced with the solid backing of a 20-year-old production company.

In today’s increasingly noisy media landscape we provide advertisers with the cultural insights required to not only grab their audience’s attention, but to show that they deeply understand their world.

Arcade has offices in Johannesburg and Cape Town and represents directors Lebogang Rasethaba, Zandi Tisani and Alexa Wilson.

Arcade is owned by managing director Colin Howard, director Lebogang Rasethaba, and producer Will Nicholson.

  • Two Grand Prixs, African Cristal Awards
  • Creative Circle Ad of the Year: Digital
  • Nine Gold Midas Awards
  • Two Gold Loeries
  • Two Gold Bookmarks
  • Bronze, Cannes Lions
  • Two Merit One Show Awards

CAPE TOWN OFFICE

16 Upper Pepper Street,
Cape Town, 8001, South Africa
info@arcadecontent.tv
+27 (0)72 252 1067

JOHANNESBURG OFFICE

11 Mackay Avenue, Blairgowrie,
Johannesburg, South Africa
info@arcadecontent.tv
+27 (0)72 252 1067

Will Nicholson: Producer
will@arcadecontent.tv
+27 (0)72 252 1067

Awarded by IDIDTHAT

AWARDED: BEST IN CRAFT (DIRECTION)
Arcade Content | Lebogang Rasethaba
Nike ‘Birthplace of Dreams’
IDIDTHAT Guest Judge: Graeme Jenner, ECD of King James Group JHB
November 2019

Judges Comment: “I think all we’re trying to do when we craft a film is make people feel something. Because when you feel something it stays with you, you remember it. There’s no amount of arty frames, clever cuts or pretty lighting (not to say that they aren’t to be found here) that can hide whether something is real or not. You either feel it or you don’t. And you get the feeling that Lebogang understands this very well. Nice one.”

AWARDED: CRAFT MENTION (DIRECTION)
Arcade Content | Lebogang Rasethaba
Nike ‘DJ Doowap’
IDIDTHAT Guest Judge: Ahmed Tilly, Chief Creative Officer at FCB Joburg
August 2017

Judges Comment: “Big ups to Lebo for directing a campaign of somewhat dark, super-real, very honest commercials for Nike. He took me for a tour through the urban streets of South Africa and the unflinching minds of some powerful women. And he did it with visual gritt. Dankie Boi-Boi!

AWARDED: BEST IN CRAFT (DIRECTION)
Arcade Content | Kyle Lewis
Nasty C ‘Bad Hair’
IDIDTHAT Guest Judge: Steph van Niekerk
March 2017

Judges Comment: “I watched all the work a couple of times and then proceeded to rearrange the bookshelf, call a friend, instagram the cat and have a nap. This time there was method to my procrastination. I wanted to see which piece of work stayed with me after I watched it. My answer was Kyle Lewis’ ‘Bad Hair’ for Nasty C.

AWARDED: BEST IN CRAFT (DIRECTION)
Arcade Content| Kyle Lewis
Volkswagen #011Beats
IDIDTHAT Guest Judge: Molefi Thulo, Creative Director at Ogilvy & Mather Johannesburg
November 2016

Judges Comment: “Take the new VW Polo Beats, add a hot hip hop collaboration, geotag the city of Jo’burg with multiple sounds to turn it into the world’s biggest set of instruments and you’ve got one dope idea. This idea caught my eye because not only do I believe it will resonate with its target audience, but it’s also a funky way of bringing a product benefit to life, especially in the automobile sector. The slick shots, sound design and dynamic editing are additional reasons why this is my choice for Best of Reel.”

AWARDED: CRAFT MENTION (DIRECTION)
Arcade Content | Kyle Lewis
Sanlam ‘Mr Madumane’
IDIDTHAT Guest Judge: Graeme Jenner, Executive Creative Director at King James II
October 2016

Judges Comment: “Full disclosure – this comes from the fam in Cape Town. But it’s cool, I like it. It’s like alow-budget high budget video, which was the whole point I guess. Awesome conceptual styling, art direction and directing. Just another day on the job for Kyle then.”

AWARDED: CRAFT MENTION (DIRECTION)
Arcade Content | Kyle Lewis
Riky Rick ‘Exodus Short Film’
IDIDTHAT Judge: Lucas van Vuuren, Creative Director at The Jupiter Drawing Room
February 2016

Judges Comment: “Kyle Lewis’ piece for Riky Rick was nice to watch, the jumps and tonal shifts in the music are complimented by a wide and well selected array of gritty, real visuals. I liked watching it unfold like a well-edited art film.”

AWARDED: CRAFT MENTION (DIRECTION)
Arcade Content | Lebogang Rasethaba
Castle Lite ‘Lagered’
IDIDTHAT Judge: Jake Bester, Executive Creative Director at Publicis Machine
October 2016

Judges Comment: “There are also two special mentions for me. The firstly being Castle Light. Not only because it is a great piece of film, but also a great collaborative effort as it features across a lot of the SA Film Reel categories this month namely direction and editing. I was however surprised to not see it in sound design too. I felt there was great craft in putting that track together. Lots of moving parts here. Well done to the director for bringing it all together.”

Featured Work

iDidTht Editorial

Getting Real with Director Alexa Wilson from Arcade Content

September 18th, 2019|Comments Off on Getting Real with Director Alexa Wilson from Arcade Content

In just under a year, Director Alexa Wilson from Arcade Content has already built up quite a reputation as a versatile director. She takes us behind the scenes of her latest spots for MTN, Momentum and that viral Castle ad. Oh, there’s also a whole bunch of stuff about her lock picking skills, her potential as a harmonium player and her gruesome royal family history. It’s everything you really never knew you needed to know.